Between 2019 and 2026, I worked alongside artist Tomás Saraceno at his studio in Berlin, contributing to the development of his exhibitions, sculptures, and large-scale artworks presented internationally.

My involvement spanned the full arc of each project — from open, conceptual early-stage exploration through to detailed design and production. Because every piece was bespoke and highly specific, the work demanded constant creativity: much of it involved inventing new ways of thinking, designing, and building, in a process that was as demanding as it was stimulating. I took part in every stage of that process, from the most open and exploratory phases to the most technically exacting ones.I also coordinated communication with the clients and institutions involved, as well as with the technical teams responsible for each piece — work carried out at an international scale.

That range of involvement, from first concept to final build, shaped how I approach architecture today: an insistence on rigor at every scale, and a belief that the most interesting solutions emerge when a project is allowed to be genuinely experimental.